Ferrier & Soulier
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Ferrier & Soulier byla fotografická společnost se sídlem v Paříži, kterou provozovali Claude-Marie Ferrier (1811 Lyon - 1889) a Charles Soulier (1816–1886).
Historie
Claude-Marie Ferrier byl francouzský reportážní fotograf. V roce 1856 způsobily přívalové deště velké škody v nízko položených oblastech v celé Francii a Ferriera francouzská vláda vyslala, aby dokumentoval účinky povodně na Loiře. Do Paříže se vrátil se stereoskopickými fotografiemi katastrofických scén.[1] Doprovázel jako fotograf císaře Napoleona III. v době jeho tažení do Itálie v roce 1859.
Compagnie des Arts Photomécaniques (CAP) byla francouzská fotografická společnost se sídlem v Paříži, která vznikla v roce 1932 spojením tří významných společností 19. století: Ferrier & Soulier, Levy & Fils a Neurdein.[2][3]
Galerie
Soulier: Věž Saint-Jacques, Paříž, 1876
Soulier: Zámek Saint-Cloud po roce 1870
Ferrier & Soulier: Valenci, 1861
Ferrier & Soulier: Milánská katedrála, interiér, polovina stereofotografie, asi 1870-1880
Ferrier & Soulier: Most svatého Josefa, Valencie, asi 1860-1870
Ferrier & Soulier: Valencie, 1860-1870
Ferrier & Soulier: Valencie, 1860-1870
Odkazy
Reference
- ↑ LUMINOUS-LINT.COM. Claude-Marie Ferrier [online]. [cit. 2009-03-11]. Dostupné online. (anglicky)
- ↑ Léon et Lévy [online]. wikibooks [cit. 2012-07-27]. Dostupné v archivu pořízeném dne 2013-06-07. (francouzsky)
- ↑ Compagnie des Arts Photomécaniques (CAP) [online]. yellowkorner.com [cit. 2012-07-27]. Dostupné v archivu pořízeném dne 2012-01-28. (anglicky)
Externí odkazy
Obrázky, zvuky či videa k tématu Ferrier & Soulier na Wikimedia Commons - Rozsáhlý článek COMBAT PHOTOGRAPHY DURING THE FRANCO-AUSTRIAN WAR OF 1859 na vintagephotosjohnson.com
Média použitá na této stránce
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Foto, des del Micalet, de València en 1861; en primer pla la plaça de la Mare de Déu, i l'horta en la llunyania. Aut: Ferrier, Claude Marie (1811-1889) & Soulier, Charles (s. XIX-1876)
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Fotografia de Ferrier, Claude Marie (1811-1889) & Soulier, Charles (s. XIX-1876) de València l'any 1861.
Claude Marie Ferrier (1811-1889) & Charles Soulier (+ 1876) - n. 7499 - "Panorama de Come", No. 3 (Italie)" ("View of Como # 3"). Stereo card.
_%26_Soulier%2c_Charles_(s._XIX-1876).jpg)
Fotografia de la ciutat de València el 1861, feta per Ferrier, Claude Marie (1811-1889) & Soulier, Charles (s. XIX-1876).
Le château de Saint-Cloud après 1870
_%26_Soulier%2c_Charles_(s_XIX-1876).jpg)
Fotografia del pont de sant Josep, al fons el desaparegut Portal Nou, València, dècada dels 60 del segle XIX. Autors, Soulier i Ferrier: Ferrier, Claude Marie (1811-1889) & Soulier, Charles (sec. XIX-1876).
The freestanding Tour Saint-Jacques that one sees today in a park just off the rue de Rivoli in the heart of Paris is all that remains of the Gothic church of Saint-Jacques la Boucherie. Built between 1508 and 1522, the tower lost its statuary and its dozen bells during the Revolution, but its basic fabric escaped the demolition visited upon the rest of the church. It was sold in 1797 and was put to use for a purpose far from its original function: as a shot tower. Droplets of molten lead formed into perfect spheres as they fell through the nearly two-hundred-foot interior of the tower into a cooling tub of water at the bottom. In 1836 the tower was bought by the City of Paris.
In the early 1850s, the tower was disengaged from the surrounding buildings, the lower part of the Tour Saint-Jacques was rebuilt to function as a civic monument, its destroyed statuary was remade, and the surrounding area was redesigned as a park. The surface of the new Square Saint-Jacques was lowered in order keep the nearby streets level, and a raised platform with steps was built as a transition between the old and new ground levels. Visitors could ascend the tower for a panoramic view of Paris. "Galignani's New Paris Guide for 1860" remarked upon the transformation: "This interesting structure now occupies the centre of an elegant square laid out as a garden, once intersected by the filthiest streets of the metropolis, haunted by vendors of rags and other commodities of a similar nature."
Like a draftsman who might exaggerate the scale of a monument to impress the viewer with its great height, Soulier chose an elevated point of view at the corner of the rue de Rivoli and the Boulevard de Sebastopol from which the restored tower could be seen rising in the center of the composition, unobstructed and dwarfing all neighboring buildings._%26_Soulier%2c_Charles_(sec._XIX-1876)_-_n._7532_-_Int%c3%a9rieur_de_la_cath%c3%a9drale_de_Milan_(Italie)_-_2.jpg)
Claude Marie Ferrier (1811-1889) & Charles Soulier (+ 1876) - Detail from - n. 7532 - "Intérieur de la cathédrale de Milan (Italie)" ("Inside view of the Cathedral of Milan"). Stereo card.