Luigi Calamatta
| Luigi Calamatta | |
|---|---|
_-_Portrait_of_Luigi_Calamatta_after_Jean-Auguste-Dominique_Ingres.jpg) | |
| Narození | 21. června 1801 Civitavecchia |
| Úmrtí | 8. března 1869 (ve věku 67 let) Milán |
| Povolání | tiskař, malíř, mědirytec, litograf, kreslíř a rytec |
| Manžel(ka) | Josephine Calamatta |
| Ocenění | rytíř Řádu čestné legie |
 multimediální obsah na Commons | |
 Seznam děl v databázi Národní knihovny | |
| Některá data mohou pocházet z datové položky. | |
Louis Antoine Joseph Calamatta (asi 1801 – 8. března 1869) byl italský malíř, kreslíř a rytec. Působil především v Itálii a ve Francii. Přátelil se s Ingresem, jemuž převedl mnohé jeho obrazy do rytin.
Život a dílo
Nejprve studoval kresbu v Římě pod vedením Francesca Giangiacoma, bral si lekce rytí od Domenica Marchettiho. Svou první desku provedl pod dohledem Antonia Riccianiho. V roce 1822 odešel do Paříže, kde se seznámil s Ingresem.
V roce 1836 odcestoval do Florencie, kde zhotovil rytiny portrétů Raphaela a Masaccia a rytiny obrazů Perugina a Leonarda da Vinciho. V roce 1837 byl jmenován ředitelem školy rytců v Bruselu a stal se rytířem řádu Čestné legie. Po sjednocení Itálie do konce svého života působil jako profesor rytiny v Miláně.
Hlavní díla Calamatty: „Mona Lisa“ od Leonarda da Vinciho, „Ježíš Kristus a apoštol Peter“ od Cigoliho, portréty Guizota, Delarocheho, vévody z Orleansu a hraběte Louise Mole s Engrem, „Vize proroka Ezechiela“ a „Madonna della Sedia“ od Raphaela a řada dalších. Působil jako učitel na École royale de gravure v Bruselu.[1]
Dcera Calamattyho byla manželkou syna George Sanda Mauriceho.
Galerie
Fryderyk Chopin, Google Art Project
Napoleon Boneparte, 1901
Adolphe Thiers
George Sand, gravure
Mona Lisa
Díla
- Monna Lisa (1837) podle Da Vinciho.
- Madonna di Foligno Madonna della Sedia, The Vision of Ezekiel, a Peace (1855) podle Raphaela.
- Our Lord walking on the Sea; podle Cigoliho.
- Francesca da Rimini; podle Scheffera.
- Duke of Orleans; Count Molè (1865); The Vow of Louis XIII; a Madmouiselle Boimara; podle Ingrese.
- Guizot; podle Delaroche.
- Portréty Actora a Miss Lèvery; podle Deveria.
- Portrét Lamennais; podle Ary Scheffera.
- Beatrice Cenci (1857) podle Guido Reni.
- Recollections of Rome, podle Stevense.
- Portréty Rubense, Georges Sanda a Ingrese.
- Portrét Krále Španělska; podle Madrazoa.
Reference
Externí odkazy
Obrázky, zvuky či videa k tématu Luigi Calamatta na Wikimedia Commons
Média použitá na této stránce
La Joconde, gravure sur cuivre de Luigi Calamatta (1858) d'après Léonard de Vinci
Portrait of Luigi Calamatta after Jean Auguste Dominique Ingres
George Sand ; gravure
_(14786817673).jpg)
Autor: Internet Archive Book Images, Licence: No restrictions
Death mask of Napoleon, made by Dr. Antommarchi at St. Helena, 1821: Calamatta, 1834. Calamatta produced the mask from the cast taken by Dr. Antommarchi, the physician of Napoleon at St. Helena, in 1834, grouping around it portraits (chiefly from Ingres's drawings) of Madame Dudevant and others.
Identifier: lifeofnapoleonbo00tarb (find matches)
Title: A life of Napoleon Boneparte:
Year: 1901 (1900s)
Authors: Tarbell, Ida M. (Ida Minerva), 1857-1944
Subjects: Napoleon I, Emperor of the French, 1769-1821 Josephine, Empress, consort of Napoleon I, Emperor of the French, 1763-1814
Publisher: New York, McClure, Phillips & co.
Contributing Library: The Library of Congress
Digitizing Sponsor: The Library of Congress
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About This Book: Catalog Entry
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Text Appearing Before Image:
van. To form, like Guesclins dust, her talisman. But be it as it is, the time may come. His name shall beat the alarm like Ziskas drum. —Byron, in The Age of Bronze. ON May 12, 1840, Louis Philippe being king of theFrench people, the Chamber of Deputies was busywith a discussion on sugar tariffs. It had beendragging somewhat, and the members were showing signsof restlessness. Suddenly the Count de Remusat, then Min-ister of the Interior, appeared, and asked a hearing for acommunication from the government. Gentlemen, he said, the king has ordered his RoyalHighness Monseigneur the Prince de Joinville* to go withhis frigate to the island of St. Helena, there to collect theremains of the Emperor Napoleon. A tremor ran over the House. The announcement wasutterly unexpected. Napoleon to come back! The bodyseemed electrified, and the voice of the minister was drownedfor a moment in applause. When he went on it was to say: * The Prince of Joinville was the Third son of Louis Philippe. 295
Text Appearing After Image:
DEATH MASK OF NAPOLEON, MADE BY DR. ANTOMMARCHI AT ST. HELENA, 182I. Calamatta, 1834. Calamatta produced the mask from the cast taken by Dr. Antommarchi, the physician of Napoleon at St. Helena, in 18341 grouping around it portraits (chiefly from Ingress drawings) of Madame Dudevant andothers. 296 THE SECOND FUNERAL OF NAPOLEON 297 We have come to ask for an appropriation which shallenable us to receive the remains in a fitting manner, and toraise an enduring tomb to Napoleon. Tres bien! Trcs bien! cried the House. The government, anxious to discharge a great nationalduty, asked England for the precious treasure which fortunehad put into her hands. The thought of France was welcomed as soon as ex-pressed. Listen to the reply of our magjianimous ally: The government of her Majesty hopes that the promptness of herresponse will be considered in France as a proof of her desire to effacethe last traces of those national animosities which armed France andEngland against each other in the li
Note About Images
French politician and historian Adolphe Thiers (1797-1877) by Luigi Calamatta (1801-1868)