Mary Carnellová

Mary Carnellová
Narození21. prosince 1861
Úmrtí10. října 1925 (ve věku 63 let)
Alma materGlassboro High School
Povolánífotografka
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Mary Carnellová (nepřechýleně Mary Carnell; 21. prosince 1861 – 10. října 1925) také známá jako Mary Carnell MacEuen, byla americká fotografka a klubistka se sídlem ve Philadelphii v Pensylvánii . Byla zakladatelkou a první prezidentkou Federace žen Asociace fotografů Ameriky.

Životopis

Mary A. Carnell se narodila v Glassboro, New Jersey, jako dcera Williama Carnella a Hannah Elmiry Gillman Carnellových. Vystudovala Glassboro High School . [1] Její otec vlastnil slévárnu železa. V roce 1890 málem zemřela, když se ji strýc pokusil strčit do cesty přijíždějícímu vlaku, ale zachránil ji průvodčí vlaku.

Kariéra

Mary Carnellová: The Story Book, z publikace z roku 1911

Carnellová provozovala své vlastní fotografické studio ve svém domě na Spruce Street ve Philadelphii. [2] V roce 1909 založila společnost Women's Federation of the Photographers' Association of America a tři roky působila jako její první prezidentka.[3] [4] „Její takt a výkonné schopnosti jsou patrné v každém pohybu její vznešené postavy,“ napsala Bayard Woottenová v roce 1912. "Je matkou Federace a jako vděčnost za vše, co pro Federaci udělala, byla zvolena její doživotní šéfovou." [5]

Carnellová byla také prezidentkou Ladies' Auxiliary of the Old Guard State Fencibles, členkou Historical Pageant Association of Pennsylvania, [6] prezidentkou Klubu žen profesionálek, členkou Společnosti pro prevenci sociálních a morálních nemocí, členkou Dickens Fellowship a ve správní radě The Plastic Club . [1] [7]

Osobní život

Mary Carnellová se v roce 1900 provdala za Edwarda Allena MacEuena. Zemřela v roce 1925 ve věku 63 let. Laura H. Carnellová, děkanka Temple University, byla její sestřenice.

Galerie

  • The American annual of photography (1911)
    The American annual of photography (1911)
  • The American annual of photography (1914)
    The American annual of photography (1914)

Odkazy

Reference

V tomto článku byl použit překlad textu z článku Mary Carnell na anglické Wikipedii.

  1. ↑ a b John William Leonard, Woman's Who's who of America (American Commonwealth 1914): 518.
  2. ↑ Coa'n Josaphare, "An Unusual Studio" Bulletin of Photography (16. října 1912): 578-581.
  3. ↑ Maybelle D. Goolanderová, "History of the Woman's Federation of the P. A. of A." Bulletin of Photography (18. září 1912): 417-419.
  4. ↑ "Mary Carnell's Delayed Letter" Bulletin of Photography (9. října 1912): 554.
  5. ↑ Bayard Wootten, "As Seen by One of the Throng" Bulletin of Photography (18. září 1912): 430.
  6. ↑ Ellis Paxson Oberholtzer and Frances Howard Williams, Official Pictorial and Descriptive Souvenir Book of the Historical Pageant (October 7-12, 1912): 24.
  7. ↑ Barbara MacIlvaine, "A History of the Plastic Club" Archivováno 3. 11. 2018 na Wayback Machine., on The Plastic Club website.

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The American annual of photography (1911) (14783355745).jpg

Identifier: americanannualof1911newy (find matches)
Title: The American annual of photography
Year: 1911 (1910s)
Authors:
Subjects: Photography
Publisher: New York : Tennant and Ward
Contributing Library: Harold B. Lee Library
Digitizing Sponsor: Brigham Young University

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About This Book: Catalog Entry
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ame size as the platewill do, although the ordinary magazine camera with the dimin-utive view finder will serve, providing one has good judgmentand plenty of patience. A fine-grained focusing screen is nec-essary when the light is very poor, but oil or vaseline can berubbed into the grain of a coarse one to improve it. Of course,the larger the aperture of the lens the less the exposure, butF.8 is a fair average. The fastest plates are best, not only in speed, but they tendto give less contrast than slow ones, and they should be backedand a normal Rodinal developer used. Excessive contrast,halation and reversal of the lights are sure to be met with, buta proper exposure, fast plates (backed) and a developer whichtends not to give contrast, will help to keep their faults under. The negatives can often be improved by applying matt var-nish to the shadow or other portions it is desired to hold back,or soot from a lighted candle can be used instead, working onthe glass side, of course. ii6
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u u < H O 0.

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The American annual of photography (1911) (14783127012).jpg

Identifier: americanannualof1911newy (find matches)
Title: The American annual of photography
Year: 1911 (1910s)
Authors:
Subjects: Photography
Publisher: New York : Tennant and Ward
Contributing Library: Harold B. Lee Library
Digitizing Sponsor: Brigham Young University

View Book Page: Book Viewer
About This Book: Catalog Entry
View All Images: All Images From Book
Click here to view book online to see this illustration in context in a browseable online version of this book.

Text Appearing Before Image:
lates made from properly exposed anddeveloped negatives, made through standard filters, are nowready for the proofer. If we print our red plate in, say, greenink, we know without the exercise of any particular amountof thought, that the entire result will be wrong, because weare (nominally) 100 per cent, off in color. But if we were toproof it in a transparent vermilion ink we should approxi-mate more the copy because we are only (say) 50 per cent,off—another proof in crimson ink would be still nearer theoriginal because we would be only 20 per cent, wrong in hue.It will therefore be evident that even perfect separationplates will give results far from the original because of wrong-ly hued inks, the amount of error depending solely upon theperfection of the printing color. When we consider that thiserror in hue is multiplied by three for the various plates, it mayreadily be appreciated that the ultimate proof, withoutre-etching, is liable to present a somewhat discouragingresult 280
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THE STORY BOOK. MARY CARNELL, It appears to be a fixed rule with the majority of coloroperators to regard everything outside of their own exper-ience as being subject to grave suspicion; just why I am un-able to state. The attempt to help them on correct principlesof their own business is generally received in anything but agrateful (or even courteous) way. Surely the man who bringsa perfectly unbiased and properly cultivated mind to the studyof any subject, and who for years is under considerablefinancial outlay by the purchase of delicate apparatus for itsinvestigation, is entitled to consideration, even from the in-dividual who (because in a rule of thumb way, he does thesame thing, day-in-day-out) is termed a practical man. Onemight consider that the most practical man is he who under-stands by competent study the theory of the science he workswith, and combines with that the merely mechanical exper-ience in the handling of the necessary trade tools.

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Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
The American annual of photography (1914) (14778310114).jpg

Identifier: americanannualof28newy (find matches)
Title: The American annual of photography
Year: 1914 (1910s)
Authors:
Subjects: Photography
Publisher: New York : Tennant and Ward
Contributing Library: Harold B. Lee Library
Digitizing Sponsor: Brigham Young University

View Book Page: Book Viewer
About This Book: Catalog Entry
View All Images: All Images From Book
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OTSEGO LAKE. Figure 3- 266
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o o 0<H o a.

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Mary Carnell, from a 1912 publication.